Cud miłości – ciało za ciało?
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Wydawnictwo Wydziału Nauk Społecznych Uniwersytetu im. Adama Mickiewicza w Poznaniu
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agnieszka_doda.pdf
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Abstract
An article analyses a film Breaking the Waves by Lars von Trier in a context of Niclas Luhmann’s semantics of love. According to Luhmann sexuality and intimacy stays in a omitted within frames of existing social order. The author considers also the significance of self-sacrifice in the light of Christianity and romanticism.
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Studia Kulturoznawcze, 2012, nr 1(2), s. 73-81.