K interpretaci vybraných literárních děl Franza Kafky a Jeana-Paula Sartra
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Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO
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Abstract
Ve své stati se autor zaměřuje na problematiku konstrukce prostoru literárního díla a její diverzitu. Interpretuje a srovnává zejména motivy děl F. Kafky (Proměna, Proces) a J. P. Sartra (S vyloučením veřejnosti, Zeď), snaží se zachytit styčná místa a elementární rozdílnosti. Ve hře S vyloučením veřejnosti autor osvětluje nejen specifickou práci s prostorem, ale i s časovou dimenzí. Při interpretaci nezbytně odkazuje i na filozofické, psychologické a antropologické vztahy.
In this essay the author focuses on the issue of space design in literary works and its diversity. The author interprets and compares particularly the motives found in the works of F. Kafka (Metamorphosis, The Trial) and J. P. Sartre (No Exit, The Wall) trying to capture the points of contact and fundamental differences. In the play No Exit the author explains not only the specific work with space, but also with the time dimension. During the interpretation the author essentially refers to the philosophical, psychological and anthropological relations.
In this essay the author focuses on the issue of space design in literary works and its diversity. The author interprets and compares particularly the motives found in the works of F. Kafka (Metamorphosis, The Trial) and J. P. Sartre (No Exit, The Wall) trying to capture the points of contact and fundamental differences. In the play No Exit the author explains not only the specific work with space, but also with the time dimension. During the interpretation the author essentially refers to the philosophical, psychological and anthropological relations.