Rosja oczami ekscentryka, czyli Moskwa-Pietuszki Wieniedikta Jerofiejewa w kontekście mechanizmów reifikacji

Abstract

The article concentrates on the analysis of pathological Soviet reality represented in the lyrical poem Moscow-Petushki from the point of view of the relationship between a human being and an object. The author focuses on the mechanisms of reification utilised in the artistic world of V. Erofeev categorising them as the examples of totalizing, manipulative, practical and neantising types of the above mentioned phenomenon. She turns particular attention to the studies of binary oppositions such as spiritual-corporeal or exposed-hidden, which define logic of the totalitarian system as well as tragism of the human existence in the era of post-modernity.