Kinemy w Kabarecie
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Wydawnictwo Naukowe UAM w Poznaniu
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05Hendrykowski-pp.pdf
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Abstract
There’s more to discover about Bob Fosse’s masterpiece Cabaret (1972) through these two
inspiring shots. Marek Hendrykowski’s comprehensive study including detailed in-depth analysis
of the opening and last shot of Berlin 1931 story enlarges the scope of understanding of film poetics
used in Cabaret. It also demonstrates the crucial importance of the outstanding direction,
filming and editing to that unique film.
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Przestrzenie Teorii, nr 17, 2012, str. 79-88