Aksjologiczne barwy światów dziecka we współczesnym polskim filmie fabularnym

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Wydawnictwo Naukowe UAM

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art10_Brzezińska.pdf

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Now that the audiovisual culture is evolving, films seem to be a source of various stories about us and our world and of certain models that we follow. Film, as a discursive element of pop culture, calls for a search for answers to some most ambiguous questions regarding the axiological colours of the child’s worlds. The aim of these considerations is to recognize and describe the axiological dimension of the child’s world in contemporary Polish cinema, using films by Dorota Kędzierzawska as examples. The child’s worlds, unobvious due to axiological chaos, are shown. Presenting ordinary, everyday children characters in different moments of their lives is supposed to encourage the challenge of scientific reflection on childhood in the modern world.

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Studia Edukacyjne, nr 30, 2014, s. 169-188

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