Problem semantycznych innowacji frazeologizmów w tekstach artystycznych

Abstract

The author attempts to consider the phenomenon of phraseological innovativeness in artistic texts. The adopted perceptional perspective (enhancing the significance of variantivity in phraseology) makes it possible to propose controversial, yet individual, categories for the analysis of particular contextual situations in which the analysed updated phaseological units occur. The fictitiousness of literature, its semantic instability – the openness for interpretation – allow us to tentatively reflect on the kind of various phaseological innovations in the function of the elements involved in sense-making processes. The modest material illustration provided is just a corroboration of the methodological invention.